SULUK: Jurnal Bahasa, Sastra, dan Budaya http://jurnalfahum.uinsby.ac.id/index.php/Suluk <p><strong>SULUK: Jurnal Bahasa, Sastra, dan Budaya</strong> (e-ISSN:2714-7932/p-ISSN: 2686-2689) merupakan jurnal (daring) yang diseleksi oleh Mitra Bestari yang pakar di bidang masing-masing. Jurnal Suluk diterbitkan oleh Program Studi Sastra Indonesia, Fakultas Adab dan Humaniora, Universitas Islam Negeri Sunan Ampel Surabaya. Terbit dua kali dalam setahun, Maret (1) dan September (2). Lingkup jurnal meliputi bahasa, sastra, dan budaya Indonesia. Fokus jurnal mencakup kajian linguistik, sastra, filologi, serta studi budaya <em>(culture studies) </em>Indonesia yang berorientasi pada pengayaan khazanah kajian dan penelitian humaniora di Indonesia. SULUK: Jurnal Bahasa, Sastra, dan Budaya menerima serta menerbitkan artikel penelitian teoretis atau empiris yang bernas, studi banding, studi kasus, makalah tinjauan, makalah eksplorasi. Jurnal ini juga menerima ulasan buku. Semua naskah yang masuk dan diterima oleh tim editorial akan dipublikasikan secara daring<em>.</em></p> Program Studi Sastra Indonesia, Fakultas Adab dan Humaniora, Universitas Islam Negeri Sunan Ampel Surabaya en-US SULUK: Jurnal Bahasa, Sastra, dan Budaya 2686-2689 Potensi Masjid Syuhada-Kota Yogyakarta Sebagai Bangunan Cagar Budaya http://jurnalfahum.uinsby.ac.id/index.php/Suluk/article/view/247 <p><em>This study aims to explain the potential of the Syuhada Mosque as a cultural heritage building in Yogyakarta. This study uses a qualitative research method based on a literature review on the History of the Syuhada Mosque by Kumoro (2019), Constitution Number 11 of 2010 concerning Cultural Heritage and Regional Regulations of the Special Province of Yogyakarta, especially Number 6 of 2012 concerning Preservation of Cultural Heritage and Cultural Heritage. The results of this study are (1) The history of the construction of the Mosque of Syuhada in 1950-1952 is closely related to the location and history of the struggle of Indonesia in maintaining independence after the relocation of the capital to Yogyakarta, (2) The Syuhada Mosque has the potential to be a cultural heritage building in Yogyakarta because it is in accordance with the contents of (a) Constitution Number 11 of 2010 concerning Cultural Heritage: Article 1 (number 1), Article 1 (number 3), Article 1 (number 18), and Article 5 and (b) Regional Regulation of the Special Province of Yogyakarta Number 6 of 2012 concerning Preservation of Cultural Heritage and Cultural Heritage: Article 12. Overall, it can be seen that the establishment of the Syuhada Mosque building in Yogyakarta Mayor Decree Number 297 of 2019 related to the Cultural Heritage of the City of Yogyakarta means that the status of the Syuhada Mosque as a list of the Cultural Heritage of the Special Region of Yogyakarta deserves to be upgraded to the Cultural Heritage Building.</em></p> Laksmi Eko Safitri Copyright (c) 2020 Laksmi Eko Safitri http://creativecommons.org/licenses/by-nc-sa/4.0 2020-02-26 2020-02-26 1 2 59 67 Puitika Kesepian Dalam Kitab Puisi Perihal Gendis Karya Sapardi Djoko Damono http://jurnalfahum.uinsby.ac.id/index.php/Suluk/article/view/239 <p><em>This study aims to (1) analyze the patterns of character-narrator development and (2) know the psychological of Gendis figures that are built in the anthology of poetry </em><em>Perihal </em><em>Gendis. This study uses qualitative research methods based on the literature on the anthology of poetry </em><em>Perihal </em><em>Gendis written by Damono (20018).</em> <em>This study uses (1) the theory of rhetorical figures by Gerard Genette which was later developed by Culler to find out the narrative structure and (2) theory of psychoanalysis by Sigmund Freud to find out the psychological condition of Gendis. The results of this study can be seen through the patterns of character and narrator development in poetry which are (1) "Why are you so mean/leave me alone?", (2) "Silent Gendis", (3) "People say" and (4) "Turning the Keys to the House. Furthermore, the psychological condition of Gendis in the text can be found in poetry (1)"No Need" and (2)" Sitting on the Back Porch of the Full Moon. Overall, it can be seen that the departure of Gendis’ father and mother evoke a moment of Gendis' image with living things, things around them, and the soul of Gendis who deeply feels loneliness.</em></p> Lailatus Sholihah Copyright (c) 2020 Lailatus Sholihah http://creativecommons.org/licenses/by-nc-sa/4.0 2020-02-26 2020-02-26 1 2 68 76 Telaah Sistem Tata Kota Kerajaan Majapahit Dalam Kakawin Nagarakrtagama http://jurnalfahum.uinsby.ac.id/index.php/Suluk/article/view/248 <p><em>Kakawin Nagarakrtagama is a classic Javanese literary work written by Mpu Prapañca around the 14<sup>th</sup> century. Kakawin Nagarakrtagama is the main reference for researchers to reveal the development of the Majapahit Kingdom until the reign of King of Hayam Wuruk.</em> <em>This study aims to determine the Majapahit Kingdom's urban planning system recorded in Kakawin Nagarakrtagama. This study uses qualitative research methods based on literature (1) Kakawin Desawarnnana uthawi Kakawin Nagarakrtagama: The Golden Age of Majapahit composed by Riana (2009) and (2) Kakawin Nagarakertagama composed by Damaika, et al (2016). The results of this study are the Majapahit urban planning system recorded in Kakawin Nagarakrtagama including the layout of the premises and buildings: (1) Citadel made of red bricks, (2) Majapahit City Gate, (3) Village halls; gate; and gazebo, (4) Field of Watangan, (5) King of Majapahit Residence, (6) King and Governor of Gajah Mada's family residence, (7) Governor of &nbsp;Gajah Mada residence, (8) Palace officials residence, (9) The residence of the Shiva religious leaders as well as the Buddhist leaders, and (10) A place for settlement of the people.</em> <em>Overall, it can be seen that Kakawin Nagarakrtagama records well the Majapahit Kingdom's urban planning system since the time of its establishment until its golden age.</em></p> Teguh Fatchur Rozi Misbahul Munir Dina Maulidia Copyright (c) 2020 Teguh Fatchur Rozi, Misbahul Munir, Dina Maulidia http://creativecommons.org/licenses/by-nc-sa/4.0 2020-02-26 2020-02-26 1 2 77 86 Upaya Membranding Stigma Negatif Tradisi Nikah Sirri di Desa Kalisat, Rembang, Pasuruan Melalui Pelestarian Tradisi Gebluk http://jurnalfahum.uinsby.ac.id/index.php/Suluk/article/view/257 <p><em>This study aims to (1) Determine the tradition of unregistered marriage and (2) Analyze the positive potential of Gebluk tradition in Kalisat Village as an effort to compare the negative stigma of unregistered marriage. This study uses qualitative research methods based on techniques (1) Literature study, (2) Participant observation and (3) Field studies. This study uses the theory of (1) Historical-Anthropology, (2) Anthony Giddens-Structuration, and (3) Derrida-Deconstruction. The results of this study are that Gebluk tradition is one of the media of Islamization in the village of Kalisat, Rembang, Pasuruan, East Java in the 1960s and is still preserved today. Overall, it can be seen that efforts of branding the negative stigma of the unregistered marriage tradition in Kalisat village are carried out through the preservation of Gebluk tradition through the optimization of the positive potential of both the internal and external pathways.</em></p> Muhammad Khodafi Hotimah Novitasari Copyright (c) 2020 Muhammad Khodafi, Hotimah Novitasari http://creativecommons.org/licenses/by-nc-sa/4.0 2020-02-26 2020-02-26 1 2 87 93 Campur Kode Ceramah Ustadzah Mumpuni Handayani: Analisis Sosiolinguistik http://jurnalfahum.uinsby.ac.id/index.php/Suluk/article/view/255 <p><em>This study aims to determine the use of code mixing in the video study of Ustazah Mumpuni Handayayekti by using the analysis of sociolinguistic theories. The results of this study are using mixed code in lecturing Ustadzah Mumpuni Handayayekti into the use of: (1) mixed code of Javanese word forms, (2) mixed code of Javanese clause form codes, (3) mixed code of Balinese word forms, and (4) mixed code phrase of Javanese language. In addition, mixing the code out on the use (1) mixed form codes for Arabic clauses, (2) mixed form codes for Arabic words, (3) mixed form codes for Arabic phrases, and (4) mixed form codes for Indonesian words. Mixing the code in and mixing the code out used by Ustadzah Mumpuni Handayayekti in his lecture, shows that he is a multilingual speaker and can use variations of language well in the right context.</em></p> Siti Rumilah Intan Ayu Linda Copyright (c) 2020 Siti Rumilah, Intan Ayu Linda http://creativecommons.org/licenses/by-nc-sa/4.0 2020-02-26 2020-02-26 1 2 94 99 Identitas Dalam Mata Kuliah Bahasa Indonesia di Jurusan Teknik Kelautan 2019 Institut Teknologi Sepuluh Nopember Surabaya http://jurnalfahum.uinsby.ac.id/index.php/Suluk/article/view/243 <p><em>This study aims to determine the identity that emerges through language in Indonesian language major in tertiary engineering concentration. The research was conducted in the Department of Marine Engineering, Sepuluh November Institute of Technology Surabaya. The method used is descriptive qualitative with Van Dijk's critical discourse analysis. Van Dijk's three models are macrostructure, social cognition, and microstructure. The results of the study show that identity does not only emerge from a person's psychological background but is also seen from the language used. most students try to use mimicry in using language, that is, students outside Surabaya try to use Suroboyoan as the language of instruction in discussions in the Indonesian class as an effort to bring out their identity as suroboyo architects, no longer their origin areas to be socially acceptable. Other findings, Indonesian language classes bring up the identity associated with the understanding adopted by students.</em></p> Encik Savira Isnah Copyright (c) 2020 Encik Savira Isnah http://creativecommons.org/licenses/by-nc-sa/4.0 2020-02-26 2020-02-26 1 2 100 104 Tipologi Makam dan Ornamen Nisan pada Kompleks Makam Sunan Ampel Surabaya http://jurnalfahum.uinsby.ac.id/index.php/Suluk/article/view/256 <p><em>This study aims to determine (1) typology of the tomb of Sunan Ampel and (2) tombstone ornaments on the tomb of X in the tomb complex of Sunan Ampel. This study uses qualitative research methods through techniques (1) observation, (2) interviews, (3) and literature studies. Those data obtained are analyzed using archeological theory and the approach to artistic values.</em> <em>The results of this study are (1) typology of the tomb of Sunan Ampel, consisting of three elements: (a) sepulchre; (b) tombstone; and (b) the grave cupola, while (2) the tombstone ornaments on the tomb of X in the Sunan Ampel tomb complex are: (a) curly motifs, (b) vine decorations, and (c) stump decorations. Overall, it can be seen that the tomb complex of Sunan Ampel has the typology of tombs and tombstone ornaments that have characteristics and meanings in it.</em></p> Abdur Rahman Wildayati Wildayati Copyright (c) 2020 Abdur Rahman, Wildayati Wildayati http://creativecommons.org/licenses/by-nc-sa/4.0 2020-02-26 2020-02-26 1 2 105 112